Architecture Photography for Wake Forest Innovation Quarter

I hadn’t spent time in North Carolina since I was a kid, so when a friend from college asked if I would come shoot an economic project in Winston-Salem I was pretty excited to see the state, especially when the leaves were changing. Kristy works for Wake Forest Medical Center’s project trying to invigorate economic growth in Winston-Salem. They are building out abandoned cigarette factories, mixing old and new architecture in beautiful ways, and trying to get tech firms and innovative companies to come to the “Innovation Quarter”.

I brought my friend, Luis Carducci, a film maker in Miami, to be my assistant. Kristy had some very specific asks for our three days in WS, but she asked me to do something I rarely get asked from clients…”Just be creative! Go explore! Take photos of things that interest you.” I had so much fun with it, exploring the campus with Luis and getting some different angles of the beautiful architecture.

These are some of my favorite shots.


















































Alex Pavon Riding Bikes

Abby Chan, the talented yogi/dancer/entrepreneur I photographed on the roof of the Hotel Monte Vista, connected me with Alex Pavon. Alex is a professional Enduro mountain biker who lives in Flagstaff and was kind enough to give up her New Years Day to shoot with me. She took me to a beautiful section of trail on Mount Elden overlooking Flagstaff, a trail called Sunset.

















We had a couple hours to shoot up high before we drove further from Flagstaff, past Arizona Snowbowl (Flagstaff’s ski area), to some double-track trails in rolling hills with aspen tree groves. Alex switched kits and got out her gravel bike for something different.















I really enjoyed Flagstaff. Everyone I met was awesome, and the city had some pretty great reasons to come back – more climbing and mountain biking!

After seven days in Flagstaff, I headed north, through Monument Valley, Indian Creek, Fruita, and back home to Boulder, rounding out an amazing trip around the South West. I need to take more roadtrips like this!

Trail running in the Pumphouse Wash with Missy Verhaeghe

Asking the people I met around Flagstaff, I asked for some awesome locations to shoot different sports. Someone suggested Pumphouse Wash as a nice place to shoot yoga, but on my last day in Flagstaff, I was set to shoot with Missy Verhaeghe, a runner. I didn’t know what to expect, but we found the “trail” after doing a few u-turns, not realizing you park at a bridge and just climb down to the streambed. The wash is a tight canyon, with featured sandstone walls 50 feet or less apart. We walked past a few fun looking sport climbing routes that would be awesome to go back and try.

Flagstaff hadn’t received any precipitation since September, so the wash was completely dry. I was also expecting a bluebird day, but we were surprised with clouds giving us pretty flat light, which gave us a different feel.

Still getting used to my Sony A7RIII, I was super impressed by the autofocus’s ability to keep focus. The Sigma 35 does the best of all my non-Sony lenses, with the Sigma adapter, but the Sony 85mm 1.8 really showed it’s crazy abilities with Missy jumping between the rocks.

Click on an image to see the gallery in a lightbox.









Thank you Missy, you were awesome for withstanding the cold!

A Study of Movement with Abby Chan

When I reached out to the social InstaFacedIn to recommend active people in Flagstaff, Arizona for me to shoot lifestyle with multiple people sent over Abby Chan’s name. She’s one of those inspiring people that is good at everything. She owns Evolve Flagstaff, is a yoga, dance and aerialist instructor, mountain biker, and rock climber. She agreed to meet up on New Year’s Eve, and the weather was brisk but beautiful. Abby knew she could get access to Hotel Monte Vista’s roof, and I wanted to save that till closer to sunset, so we started in the downtown area where there is a lot of awesome mural art.




But the roof beckoned and I didn’t want to miss the light. Huge props to Abby for withstanding the cold.














Her beauty and grace in movement was awesome to watch. Thank you for being an incredible model!

Flagstaff Mountain Biking

On Christmas day I took off in my Passat wagon, filled with camera, climbing, and mountain biking gear towards New Mexico and Arizona. I didn’t have a set plan, but I was going to meet a friend in Sante Fe, NM and we would make our way to Flagstaff, AZ where a friend had just moved. I met up with Marie Sullivan, and we decided we wouldn’t wait around Sante Fe but head straight to Flagstaff the next day. She had to get back to SF to work the next Saturday and decided to drive separate, meaning I didn’t have to come back to Sante Fe on my way home. We met up with Alex Vidal and went to explore some trails around Flagstaff. Alex’s girlfriend’s sister’s husband showed us a great 14-mile trail that took us to Fisher Point.






Of course, Alex had to pop a tire – a hole even the magic of tubeless couldn’t fix.






I got to ride the next day in Sedona, but was too busy having fun to take photos. Over the next few days I did several photoshoots with a yogi/dancer, pro mountain biker, and a trail runner. Hope to get these up soon!

Jade Around the Office

Jade and I had been trying to find a time to shoot with each other again after our shoot in my house a year and a half ago. Neither of us had a lot of time on this particular Saturday, so we ended up just shooting at my office. I knew I’d end up using that stairwell for something.

















I’m still testing the Sony A7RIII, and have definitely been loving it. The dynamic range blows Canon’s out of the water. The face tracking and eye tracking autofocus is pretty amazing, even with wide Canon L and Sigma lenses. I replaced Canon’s 85mm f/1.8 with Sony’s and the difference really shows what’s possible with Sony Lenses. I will probably need to replace my Canon 70-200 f/2.8. The autofocus is…spotty. Sometimes it works great, and other times it can’t find focus for anything. We’ll see how long I can go without spending $2600.

Shooting Running with Eye AF on the Sony A7RIII

One of the best features on the Sony A7RIII is the Eye AF, an autofocus mode that prioritizes the human eye. The camera’s focus tracks the subject’s eye, keeping the most important thing in the image sharp. I’d had my new camera for over two weeks and hadn’t figured out (or looked up) how to turn this feature on. I had flipped through the menu countless times and hadn’t seen it as an option. I thought that the reason it wasn’t working was I was using Canon lenses with the Sigma adapter, which was doing an alright job at auto focusing, but would regularly miss the eye as the focal point. I bought the Sony 85mm 1.8 to see if it would work with a native Sony lens, but still, no Eye AF. To Google I went. Sony had, for some reason, buried this amazing feature in the custom buttons menu – you have to assign it to one of the many customizable buttons.

Once I figured this out, I wanted to try it out. I got Israeli runner, Maor Tiyouri, to come out to a nearby trail to run, stop, go back, and run the same 100 feet for an hour. I tried out the Sony 85mm f/1.8 as well as the Sigma Art 35mm f/1.4 with the Sigma MC-11 adapter. I was blown away! The Eye AF tracked her movement, getting me far better results than what I’d had with the normal autofocus.


Sigma 35mm f/1.4, f/2.8, 1/800th & ISO 400


Sigma 35mm f/1.4, f/2.8, 1/800th & ISO 400

I would run alongside her, holding the camera out, bumping along, and even with all that movement the camera would recognize Maor’s eye and lock on. Shooting portraits were a breeze, I didn’t have to move the focal point to probably be about on her eye. The little green square danced around her eyes, chiming that it was focused the entire time. While running, of course, it missed some – I’m not mad, I just impressed with what it did get in focus.


Sigma 35mm f/1.4, f/2.8, 1/800th & ISO 400


Sigma 35mm f/1.4, f/2.8, 1/800th & ISO 400


Sigma 35mm f/1.4, f/2thoroughly & ISO 400

The sun dropped behind the mountains far earlier than I was expecting, cutting our photoshoot short. I was thouroughly happy with my new camera, but I wanted to test one lens that had performed pretty terribly on my first shoot, the Canon 70-200mm F/2.8. This lens refuses to focus in the least bit on my Sony A6300 with either the Metabones or Sigma adapters. My initial test with A7RIII and the Sigma adapter was less than inspiring, searching more than finding focus. I threw the big Canon lens on the small Sony body not expecting much better performance, but it found focus! The green square told me Maor’s eye was sharp. When she was standing for a portrait, only making small movements, it never searched once. I tried to test it with Continuous Focus, where it should track movement of the subject in any direction, with her running at me. With her a good distance away, at 200mm I could see her head to toe with a bit of room on each end, it tracked her for the first couple steps, then lost it completely as she drew closer. It’s not ideal, but it’s definitely more usable that I previously thought.


Canon 70-200mm f/2.8 @ 125mm, f/2.8, 1/640th & ISO 400

Testing Out the Sony A7RIII

It almost never happens: You need a new camera and a new camera is announced that you’ve been waiting for. I had already purchased a Canon 5DMkIV, it was in the mail when I left for NYC Fotoworks – a networking event. Sony announced that A7RIII while I was at the event and found out they were previewing it the next day at Photo Plus Expo, which was taking place a few blocks away. I had my Sony A6300 with Sigma adapter for Canon Lenses, so I was able to test the autofocus with my 85mm f/1.8 on the A7rIII. I was initially very impressed, so I put in my pre-order 5 hours after they opened it for orders.

I finally received my camera November 28th. I was a bit busy and didn’t have a chance to really take it for a test drive until December 7th. Model and actress, Chelsea Bell, agreed to wonder around Denver with me on a cold day to put the new camera and autofocus to the test, especially using only my Canon lenses with the Sigma MC-11 adapter.

We met at a Home Depot, which is not really known for amazing lighting. I wanted to test the dynamic range, which is said to be 15 stops – the amount of data between absolute white and absolute black. The more the better (My Canon 5DMKIII is around 11 stops)!

My Canon lenses were not able to take full advantage of the A7RIII amazing autofocus system. It’s good, just not great. Overall, I give the experience a B+. Afterwards, I bought the Sony 85mm F/1.8 to see the difference. I will update with that later.









We moved outside, to the RiNo district in Denver.










The art on the buildings in RiNo is awesome!





I’ve done a couple more tests with camera and will be updating shortly. I’m excited for it’s potential, but mixing Canon lenses with it is a bit limiting. I’ll see if I fully move over to the Sony system. Oh, one HUGE improvement is the battery life. They upgraded to a battery that can compete with Canon.

Mixed Feelings

Lately, I’ve not been taking advantage of the playground in my backyard enough, Rocky Mountain National Park. When Tyler Kempney asked if I wanted to climb Mixed Emotions, M5- WI4 (or Mixed Feelings – the name seems to be a bit interchangeable) I said yes. Although I prefer sticking my tools in ice, I haven’t mixed climb in a while.

After an hour and a half detour (we took the wrong trail), we made it to the Loch Vale cragging area. There was a guided group on Mixed Feelings, so we each got a lap on Crystal Meth, a dirty looking WI4. The guided group didn’t do the mixed line, so the hanging dagger looked untouched.

Tyler led through the dry traverse, climbing on the rock with his gloved hands and placing cams in the horizontal crack. There’s a fixed pin with an old sling right below the curtain that he tried to back up with a marginal #1 cam. The ice didn’t inspire confidence, looking quite dry and in need of refreshing, and Tyler tested a couple of different entry points.

Once established on the ice above the dagger we all relaxed a bit. I was unsure of whether the dagger would hold. I kept telling myself, “If the dagger breaks, keep shooting!”

It’s a fun classic. Great job Alex Lowe!

I need to get out on some more adventures. Hit me up with ideas!

Cannon Beach

Earlier this month I had a gallery opening at 9 Gallery in Portland, OR. While out there, my cousin (once removed), Kay, and I drove out to Cannon Beach for an afternoon. Was a great, short trip. The beach towns are getting far less weird and more disappointingly commercial. But Haystack rock didn’t disappoint.

Long exposures taken just after noon using Neutral Density Filters, something I’d wanted to expirement with for a long time. Even with the bright mid-day sun, the ND filters allow me to use exposures as long as 30 seconds. This makes the crashing surf appear weirdly smooth.




My cousin took some photos of these dead birds on her iPhone. I couldn’t resist capturing them as well.



I stayed at my Second Cousin’s house in St. Johns. The full moon after my show pulled me out to photograph on the river. A huge ship was being tugged down the river when I got all set up.


I was a little unsure of how I’d feel having my first independent gallery opening with photographs that are so incredibly different from the work (and the fine art) I typically make. Six years ago, I photographed my grandmother’s house on the day of her funeral. She was a bit of a hoarder. I thought it would be good to capture the state of the house before family members cleaned it out for the sale (though the cleaning had already started). I posted the series on my blog and thought that was the end of the photos’ lives.

My cousin (once removed), Kim, saw the series and thought it would make an interesting installation in her gallery Co-Op in Portland, OR. She curated, printed, framed and did the entire installation. In the center of the “reliquary chapel” was a collection of Kim’s father’s things (my grandmother’s twin brother), surrounded by photos of my grandmother’s things. (You can see the collection here: The Stuff We Save)

The gallery was packed the whole night, and people’s reactions to the photos blew me away. Strangers spent time digging​ through the images, playing I spy. There were whispers of, “I’m going to go clean!” and “This reminds me of my grandmother.” A woman from Iran said it took her back to being a kid. Another picked out the piano and other items that her grandmother also had. I wanted to eavesdrop on all the conversations, wish I would have set up voice recorders to document the voices.

I have never seen people interact with my photographs on this level, relating to holding on to physical things long past their usefulness with emotional attachment. It makes me think that this series has far more life than I imagined while I was taking the photos. It also makes me want to create more art that connects with people’s emotions like this. @ Blue Sky/Oregon Center for the Photographic Arts


Birthday in the Sand Dunes

Melissa had always told me how much she wanted to go to a hot springs and Great Sand Dunes National Park. Labor day was her birthday, so we took off to southern Colorado to climb and explore. We climbed for a day in Shelf Road, then made our way to the San Luis Valley. We found an awesome open camping spot on BLM land, then soaked in Joyful Journeys Hotsprings.







Sunday, we moved our campsite to Zapata Falls. We stopped in the shadow of the Sangre de Cristo mountains to take some photos, then I missed the road to the falls and found these awesome wildish horses and a buffalo…

The road to Zapata Falls is 3.5 miles up a mountain gravel road that is in desperate need of grating. Even in Melissa’s jeep, it was a jarring road that we had to drive four times. “Oh, my poor car!” But the camping up there is great, and even on Labor Day weekend, we found a great spot.


The falls was incredibly crowded but worth going to see. We happened to be there for the 20 minutes or so that the sunlight streams down through the canyon, highlighting the falls’ mist.


Also, as expected, the Sand Dunes were overrun with tourists, so we drove down the 4WD road to a small parking lot. Luckily we got to right as someone was leaving, so we secured a spot. We took a nap under some trees, being rudely interrupted by a family of deer that came stomping through right next to us and loudly chewing leaves off the bushes all around us.

It was my 5th time at the dunes, but it never disappoints. Actually, with the smoke from the western forest fires, the light was absolutely incredible.








I’ve never seen the dunes with this much vegetation! It must have been a very wet August.










A couple came through, setting up camp and getting a front row seat to nature’s fireworks.




My friend, Dan Lehman, created these awesome La Croix seltzer water inspired tights that say “La Crushin It”. They’re sweet!

I couldn’t stop taking photos, the light was too good!




Right place at the right time!

Another couple joined us on our vantage point.




If you get the chance, it’s definitely worth while to watch the sunset from the interior of the sand dunes. I give it an A+.

After a lazy morning cleaning up at Zapata Falls Campground, we made our way down the mountain. We stopped at San Luis State Park to see if there was anything interesting. It was pretty barren accept for these sweet sun shades that litter the park.





The San Luis Valley, and everything east got smokier and smokier as we drove home. We went through the South Platte to avoid traffic, and it was almost impossible to see the climbing areas from the road. I couldn’t take it anymore and stopped on 93 to capture the epic sun, and of course my favorite tree. I love that you can see the sun spots on the sun!


This was a fun weekend for me shooting a ton of landscapes, I hope Melissa had fun for her birthday!

Laura and her horse, Sam

I’ve been wanting to add some composite work to my portfolio, and when I got the opportunity to shoot Laura Suslavich jumping her horse Sam, I knew it was going to be great. When we got to the horse barns, the sun was far too hot, so we shot some lifestyle work first.





Laura took Sam on a few warm up laps, kept asking her fiance to lift the barrier higher. After only a few jumps we got exactly the shot I was imagining!

It’s always great working with passionate people! Thank you, Laura and Joel, for spending a Friday with the Scotts (Scott Homan with the assist). Oh! Can’t forget to thank Joel for finding my keys I dropped in the field. Would have made for a long walk home!

In Totality at Carhenge

I was pretty unsure of how I wanted to see the eclipse. I first had plans to pick a random field northeast of Cheyenne, WY to watch in relative solitude, with only my buddy, Scott Homan, but reports that the area might be cloudy deterred us from making the trek. Saturday we decided this was a once in a lifetime opportunity, and we should take the time to go into totality. I had been thinking that since the eclipse was at noon, the eclipse would not photograph well in most landscapes. I thought photographing people looking at the phenomenon would be more interesting, so we picked a spot where we thought there would be at least some other people watching, Alliance, Nebraska.

We took Sunday afternoon to slowly make our way up into Nebraska, driving through Pawnee National Grasslands. I’m not sure how it’s a national public land because it’s filled with oil rigs, grazing cattle, and wind turbines, but it does have its own kind of beauty.



The sky is huge out there in comparison to Boulder where the mountains block the view of much of the sky. We were ok with leaving the confusing grasslands when got off the maze of gravel roads onto highway 71.


This sign off of HW71 caught my attention. I had to turn around to take the shot

We drove into Scottsbluff, amazed with the bluffs that surround the town in Nebraska (not a place you think of having a variety of landscapes). Two Scotts ate dinner in Scottsbluff. On the drive, Scott Homan found that Carhenge was only a few miles north of Alliance, and I thought, there’s no other place for us to go! We drove in the dark from Scottsbluff on more dirt roads towards Alliance, found a field with a downed gate, pulled the car in and set up camp for the night.

We woke up to an amazingly wet and foggy morning.




The sleepy town of Alliance was very alive with Eclipse travelers, the activity looking quite out of place. There were several locals looking to make some cash from this one time opportunity, hosting viewing parties in their yards. But it was obvious the only place for the Scotts was Carhenge.


Scott acquired a pair of solar glasses and we watched the moon creep into the circumference of the sun.


The interesting spectacle of Carhenge! Definitely glad we wound up here!











In planning to focus on shooting the people watching the eclipse, and the eclipse being at around noon, I brought my Flashpoint Streaklight 360 Barebulb Flash to overpower the mid-day sun. Well, less over power and more fill in all the obvious shadows. It’s a style I had wanted to try for a while. I’ve mentioned it before, I think, but this is definitely one of my favorite strobes and works flawlessly in the Flashpoint R2 wireless system.





























The inevitable crystal worshipers



The Aliens, of course








For the 15 minutes or so before the totality, the light turned this very eery grey, and my insides starting tingling like the feeling right before a huge storm hits.


The moment the sky turned dark, the crowd gasped, and the photojournalists clicked away


There was a 360º sunset, definitely one of the things I was not expecting.

Then the moment everyone had been waiting for, some for the majority of their lives!




The light came back to a dull grey, people hugged each other and talked excitedly, expressing the magical experience they just had that words didn’t really do justice for.









Alright, this…this. I wish I had a video of this. A short, fat, middle aged man with a shoulder satchel pulled these unicorns out of his bag and lovingly placed each of the figures onto the bumper of the car, took out a nice camera, and shot the unicorns. Just as gingerly as he placed them, he picked them up, returned them to his satchel, and walked off into the crowd. He did it with the nonchalance of taking a tourist photo with his wife and children. I looked around to see if anyone else saw this happen, and no one else seemed to notice.


I’m definitely happy that Scott and I finally decided to make the trek to Nebraska to see Totality. Incredible experience. I’m psyched we went to a place with people and found Carhenge. Now, I need to come up with an amazing idea for shooting the next one in 2024!

Maor – Studio Test with Naomi Duprey

I’ve been friends with Naomi for a long time now, basically since I have been in Boulder, but it took us this long to finally work together on a creative project. Naomi Duprey is a makeup, hair, and clothes stylist that I asked to collaborate on a shoot with Israeli Olympic runner, Maor Tiyouri. I had seen Maor running around Boulder, and when we connected on Facebook I asked if she’d be interested in doing a shoot. After working past scheduling conflicts, I got everyone together in my Boulder studio.






We only had a few minutes left, but I wanted to do something decidedly different. Naomi pulled out her favorite dress, and we got Maor to jump around the studio.

I love collaboration, something that wouldn’t have happened if any one of us was not involved.

Yosemite: an Introduction

Last month I took a job rigging ropes for a video shoot in Yosemite. I took the job knowing nothing about the details of the shoot, other than I would be rigging for another video guy (unnamed at the time, ending up being Andrew Peterson). The video we were shooting for followed a Danish TV investigative reporter, Morten Spiegelhauer, along a year long journey into rock climbing, seeing how dealing with fear on the rock changed his decision making process in everyday life. Morten had come to Yosemite a year ago to start the journey with Hans Florine, who holds the speed record for climbing the Nose of El Capitan (31 pitches in 2 hours and 23 minutes). Through mental and physical training, Morten culminated the experience by leading several trad pitches on El Capitan. It was awesome seeing his cool headed approach to leading, with only 4 trad leads under his belt previously.

I flew into Salt Lake City at 1am, arriving late because a woman with a carry-on dog refused to make her dog sit under the seat in front of her. After taxiing to the runway, we had to return to the gate so she could be escorted off the plane, screaming profanities, and the other passengers clapped once she was gone.

Andrew met me outside the airport with his Diesel Jeep Liberty, having slept for 3 hours in preparation for our 12 hour all night haul to The Valley. We made it somewhere into Nevada, but even with switching off driving we had to stop and sleep. Google was telling me we’d arrive 3 hours before we had to be there, so I reasoned we could sleep for two hours. We pulled off onto some gravel country road and made a quick bivvy.


photo by Andrew Peterson

After a mandatory In-n-Out stop outside of Sacramento, we started the drive back east towards Yosemite. We knew we were in a hurry (unnecessarily so, we beat the rest of the crew), but we stopped to take photos.











This being both of our first times in Yosemite, driving in was pretty magical. There are 3,000 foot cliffs towering over you with waterfalls dumping huge amounts of water on every side. The sun filters through the thick trees as slowly drive the one way road. Around every corner you catch sight of the sites you’ve heard of before: Horestail Falls, Bridalveil falls, El Capitan, Half Dome, and Yosemite Falls.


El Capitan towering over Southside Drive


Yosemite Falls, taken through the sunroof

We met up with Hans Florine and the Danish crew in the meadow below El Capitan, discussing our plans for the shoot. Morten, the subject of the video, wanted a warmup climb to get used to the rock, so Hans took us to climb Pine Line (thin 5.7) and the first pitch of Salathe (5.10c, dual crack fingers!!). We had limited time, so I top roped Salathe, with Hans telling me I only had 8 minutes to climb the 120′ route. It was a fun exercise in speed crack climbing, with Hans yelling, “30 seconds!”, “10, 9, 8…”

We reconvened with the rest of the crew, who were scouting locations and doing timelapses, and jet off to Hans’s Basecamp. We ate well for the week, having grilled steaks and pork pretty much every night (except on the wall).



The last light bouncing off of El Capitan


Dusk scene from Tunnel View

The next morning we do another warmup climb, with the full crew out taking video. I take Andrew up some variation of After Six so he can shoot down on Morten and Hans.


At the top of Manure Pile Buttress, waiting for Morten to finish the climb


Hans Florine in his natural environment

After we got down, Andrew and I went into full tourist mode. We drove around the loop, 1 mile, taking us an hour and half (mostly because of construction). We stopped at Yosemite Falls to get a closer look. There’s really not a great viewpoint of the falls that doesn’t include being sprayed with ice cold water and high winds, so we left the path and found some cool boulders.




These rocks are constantly wet with the spray from Yosemite Falls. It amazes me that it doesn’t look even more rainforesty


This couple has the right idea





We then drive the 45 minutes up to Glacier Point, overlooking Half Dome. It’s pretty incredible. Click on the image to see bigger

Andrew wanted to get a timelapse of the last light on El Capitan and climbers’ headlamps from Tunnel View. I wandered off, following random trails on the side of the mountain over the Tunnel chasing the sun.


I never got to the point where I could see around the other side of the mountain, but looking back, I found these amazing wild flowers with the entire Yosemite Valley behind them. To get this photo, I was precariously perched on loose soil, holding onto a tree above a couple hundred foot cliff. I wished I had had my climbing equipment.



I made my way back to Tunnel View, where Andrew was still working on his timelapses. These guys were too cute not to get a photo of.


Looking up at the El Capitan headwall from pitch 4 anchors

This was my first time in Yosemite. This was my first time on a big wall. The most pitches I’ve done in one push is eleven, I think. I’ve never ascended (climbed a rope fixed to anchors rather than climbing the rock) more than one pitch (100-ish feet) at a time. I typically do not have problems with heights or fear while climbing.

This time I was legitimately terrified, more so than I can remember in recent history. Climbing someone else’s old climbing rope they retired and donated as a fixed rope that has been hanging for an unknown amount of time in unknown weather conditions and is in an unknown state of health, attached to unknown anchors did not inspire confidence in me. I was attached with two Petzl ascenders that lock in one direction, which allows me to move up but will not slide down the rope unless I remove them from the rope. Both ends of the ropes were attached to anchors, but if for some reason the rope above me snapped, my ascenders would fly off the loose end instead of allowing me to stay attached to the anchor below. All of this is pretty irrational fear as these ropes are used quite often by climbers descending from Freeblast or by Jimmy Chin and other filmmakers to get to different vantage points.

Also, adding to my fear was the 50lb haul bag riding below my feet. Every step that I took into my stirrup attached to my ascender pulling on the frayed rope, I was adding 50 more pounds. I think if it had just been my weight, the fear would have been a lot less.

Every time I attached myself to an anchor, I breathed a huge sigh of relief. Every time I had pulled out all the stretch in the old dynamic ropes and I had to transfer all of my hopes and dreams onto that rope, I had to overpower my fear…”F*$& F*$& F*$& F*$&”…”Guh, just go, the only way out of this is up!”. Six pitches up, I reach the Heart Ledge, and I finally am able to breathe normal again. There was a fixed line on the 5.10 up to the Mammoth Terraces, which I was happy I wouldn’t have to lead on the one static line we brought up.


Andrew jugging up the fixed line to the Pitch 4 Anchors


Andrew topping out pitch 5

After a final struggle to get my haul bag unstuck in the corner roof of the 5.10 I made it to the Mammoth Terraces and traverse the wide ledge to the anchors above Pitch 10 of Freeblast. Hans, Eric (Han’s employee), and Morten are just starting into pitch 6. I quickly rigged our static line to the anchor so Andrew could rappel down and shoot them on the exposed face before they were hidden by the Ear of Pitch 8 (or Half-Dollar). Andrew rappelled down to pitch 9, to shoot Hans coming over the edge of the “Half Dollar”.


Eric Griffith leading pitch 9, Hans Florine belaying, and Andrew Peterson jugging the static line

While Andrew was shooting them below where I could have a decent shot from the top, I took the opportunity to change. But I couldn’t resist getting naked and taking photos from ~ halfway up El Capitan.

Morten led the final pitch, and I captured video of him topping out. Andrew and I continued shooting video with the little remaining light before setting up our bivvies on the ledges. I took some opportunity to take photos in the fading light.





The weather on the ledges was perfect, good temps and very little wind. The stars came out in full force. I balanced my camera on the ledge to get this long exposure.


#thisishowiwokeup


My sleeping quarters for the night

While on the ledges, we tried to stay connected to the rope via ferrata setup by Hans from the bolts on Mammoth Terraces. While sleeping, I remained attached to the via ferrata and clipped my sleeping bag to the fixed line to Heart Ledge, since it was conveniently located. I did not consider that someone might be climbing up from Heart Ledge early in the morning. I woke up to my sleeping bag getting tugged towards the ledge and a very sweaty Jimmy Chin, National Geographic photographer and film maker, popped up onto the ledge. “Oh, hey Jimmy,” I said super casually. “Go back to sleep! Go back to sleep,” he said as he stepped over me. It was like a weird Santa Claus moment.

We saw Alex Honnold climbing up pitch 6 on Freeblast (Freerider), and figured Jimmy was filming him on some unknown project. Little did we know that Alex was training for his now famous free solo a week and half later.





On the ground again, looking back up at where we spent the night


The majesty of El Capitan. Alex Honnold and crew are the little specs in the shaded area

Andrew really wanted to get his timelapse from Tunnel view and was electing to stay up all night working on it. I went with him, getting a few shots I really wanted.




El Cap and Half Dome from the other side of the Tunnel


Moving the tripod, happy little accidents



Sunrise over the Dome


Andrew getting one last shot before we left Yosemite

Yosemite was amazing! I definitely want to go back and climb more, though I haven’t made up my mind whether I want to do big walls or not. There is tons of climbing away from the crowds to be done. We had bluebird weather all week, which is amazing for climbing, but not ideal for photography. I wished that we’d had a bit of inclimate weather to give the valley a bit more drama.

Till next time…